One major discovery of the symbolists which had the greatest importance for subsequent investigation was their notion of the learning process as a labyrinth of the senses and faculties whose retracing provided the key to all arts and sciences (basis of myth of Daedalus, basic for the dreams and schemes of Francis Bacon, and, when transferred by [Giovanni Battista] Vico to philology and history of culture, it also forms the basis of modern historiography, archaeology, psychology and artistic procedures alike.
Letter to Harold Adams lnnis, March 14, 1951, in Letters of Marshall McLuhan (1987), p 221
We find it hard to grasp that the Senecan Francis Bacon was in many respects a schoolman. Later, it will appear that his own "method" in science was straight out of medieval grammatica.
The Gutenberg Galaxy: The Making of Typographic Man, 1962, p 103
Bacon was more impressed by the meaning of print as applied knowledge than anybody. The entire Middle Ages had regarded Nature as a Book to be scanned for the vestigial dei. Bacon took the lesson of print to be that we could now literally get Nature out in a new and improved edition. An encyclopedia is envisaged. It is his complete acceptance of the idea of the Book of Nature that makes Bacon so very medieval and so very modern. But this gap is this. The medieval book of Nature was for contemplation like the Bible. The Renaissance Book of Nature was for application and use like movable types. A closer look at Francis Bacon will resolve this problem and elucidate the transition from the medieval to the modern world.
The Gutenberg Galaxy: The Making of Typographic Man, 1962, p 165
Throughout Finnegans Wake Joyce specifies the Tower of Babel as the tower of Sleep, that is, the tower of the witless assumption, or what Bacon calls the reign of the Idols.
The Gutenberg Galaxy : The Making of Typographic Man , (1962), p 183
Francis Bacon, PR voice for the modern, had both his feet in the Middle Ages.
The Gutenberg Galaxy : The Making of Typographic Man , (1962), p 183
The drive towards science was, from the ancient world to the time of Bacon, a drive to extricate the visual from the other senses. But this stress was inseparable from the cultivation of manuscript and print culture. Thus the medievalism of Bacon would not have been amiss in his time.
The Gutenberg Galaxy: The Making of Typographic Man, (1962), p 184
Francis Bacon thought that the linguistic program could be extended to the entire book of Nature.
Letter to Tom Wolfe, October 25, 1965, in Letters of Marshall McLuhan (1987), p 327
Francis Bacon, by the way, had a theory that the human mind is not a mirror but an βenchanted glassβ full of imposture and delusion resulting from the impact of art and technology on society.
Letter to Michael Macoby, August 9, 1972
Bacon noted, in his New Science, how visual bias interferes mischievously in the discovery of causes and distorts the understanding of final causes in particular.
Laws of Media: The New Science with Eric McLuhan, (1988), p 88