The real job of the computer is not retrieval but discovery. Like the human memory, the process of recall is an act of discovery.
Hot & Cool Interview (1967), reprinted in Essays Media Research (1997), p 71
⦠we use our memories for many purposes, mostly unconscious. When you can recall things at a very high speed they take on a new mythic and structural meaning that is quite alien to ordinary perception. So the computer⦠has, in spite of itself⦠revealed the knowledge of the mythic pattern, structures and profiles, all of which are quite excitedly loaded with discovery.
βDiebold Discussion Forumβ with McLuhan and Mike Wallace (1966), published version of transcript, pages 8-9
In the past, what lovers went to bed with was a kind of memory. A racial memory which included intimations of vast poetic meetings in the mists of time and all kinds and sorts of mythical and poetical and beautiful things β maybe all that was in the back of the mind. All the poetry, Dante and the rest. But when we replaced the memory of a desire, or the desire of a memory with a chart, love became baseball β all scoring and length of orgasm.
βLove,β Saturday Night, February, 1967
Further, the peculiar character of jazz derives from the South, perhaps because of the interplay between industrial and metropolitan life, on one hand, and agrarian life, on the other. People situated on the frontiers between metropolitan and agrarian cultures are naturally inclined to interplay them. The sounds of the city can be poured through the spoken idiom in such areas.
βMr. Eliot and the St. Louis Blues,β 1974, The Antigonish Review
Blake makes quite explicit that when sense ratios change, men change. Sense ratios change when any one sneer or bodily or mental function is externalized in technological form:
The Spectre is the reasoning Power in Man, & when separated
From Imagination and closing itself as in steel in a Ratio
Of the things of Memory, It thence frames Laws & Moralities
To destroy Imagination, the Divine Body, by Martrydoms & Wars.
βInside Blake and Hollywoodβ, in Sewanee Review, Vol.55, No.4, October, (1947),p 710; reprinted in McLuhan Unbound (2003), p 6
A worldwide network of computers will make all of mankindβs factual knowledge available to students everywhere in a matter of minutes or seconds. Then, the human brain will not have to serve as a repository of specific facts, and the uses of memory will shift. In the new education, breaking timeworn, rigid chains of memory may have greater priority than forging new links. New materials may be learned just as were the great myths of past cultures β as fully integrated systems that resonate on several levels and share the qualities of poetry and song.
βLearning in the Global Villageβ with. George Leonard (1969), in Radical School Reform. Visions: The School in Society β¦reprinted from 1967-MarshalI_McLuhan_and_George B Leonard The Future of Education on The Class of 1989 Look, v21 Nβ¦.
Vico was the first to spot language itself as a memory theatre. Finnegans Wake is such a memory theatre for the entire contents of human consciousness and unconsciousness.
Letter to William Jovanovich, Dec. 1, 1966, in Letters, 1987, p 339
When our world exists only in fantasy and memory, the natural strategy for identity is nostalgia, so that today revivals occur so frequently that they are now called βrecurrencesβ (in the recording industry).
βA Last Look at The Tube,β unpublished article written for New York Magazine, New York Magazine, Vol. 11, No. 14, 17 March dated March 17, 1978, in original typescript, p 3; reprinted in McLuhan: the Man and His Message (1989)
Print provided a vast new memory for past writings that made a personal memory inadequate .
Understanding Media (1964), MIT/Routledge edition, p 158
The Golden Bough is a memory theatre of the corporate rather than the private conscioiusness and marks a major transition toward the retribalizing of the human consciousness.
Letter to William Jovanovich, Dec. 1, 1966, in Letters, (1987), p 339
The English can never remember and the Irish can never forget;
The adult never remembers but the child never forgets;
The Israelis can never remember and the Arab can never forget;
People never remember but the computer never forgets.
Counterblast (1969), p 69
In order to think, you have to forget most of what you are experiencing in order to relate it to earlier things you know, otherwise you canβt infer anything from what you are seeing. So, at the speed of light, which is now the normal speed of most information, on TV, radio, telephone and so on β at the speed of light the need to forget becomes a form of nostalgia.
Macleanβs, March 7, 1977; quoted by William Toye in Letters of Marshall McLuhan (1987) p 177