As money is transformed into software, it undergoes strange transformation.
βThe Social Impact of the Computerβ (1979) Unpublished Typescript, p 2
Today, as the new vortices of power are shaped by the instant electric interdependence of all men on this planet, the visual factor in social organization and in personal experience recedes, and money begins to be less and less a means of storing or exchanging work and skill. Automation, which is electronic, does not represent physical work so much as programmed knowledge. As work is replaced by the sheer movement of information, money as a store of work merges with the informational forms of credit and credit card. From coin to paper currency, and from currency to credit card there is a steady progression toward commercial exchange as the movement of information itself.
Understanding Media (1964) MIT/Routledge edition, p 137
Cash money and the compass, leading technologies of the fifteenth century, illustrate early figure-ground transformations of visual space archetypes to the acoustic, from the tangible to the intangible, from hardware dominance to software dominanceβanalogous to the present role of the computer. Current shift from visual space to acoustic space technologies in society is accelerating.
The Global Village with Bruce Powers, 1989, p 35
Money is obsolete because it stores work (and work, as we have seen, is itself obsolete). In a work-less, non-specialist society money is useless. What you need is a credit card, which is information.
βThe Agenbite of Outwitβ, In Location Magazine, Vol. 1, No. 1, (1963), p 121, reprinted in Marshall McLuhan Essays Media Research: Technology Art Communication, (1997), p 125
When a thing is current, it creates currency; fashion creates wealth by moving textiles and making them ever more current. This process we have seen at work in the section on "Money."
Understanding Media (1964), MIT/Routledge edition, pp 154-155
Since all media are extensions of ourselves, or translations of some part of us into various materials, any study of one medium helps us to understand all the others. Money is no exception.
Understanding Media (1964), MIT/Routledge edition, p 139
Money as a social medium or extension of an inner wish and motive creates social and spiritual values, as happens even in fashions in women's dress.
Understanding Media (1964), MIT/Routledge edition, p 135
People of promise, and promising enterprises, like promissory notes, have become inseparable from the promises of promotion and advertising itself. Money in turn is a promise to pay promises, and the plausible con man has returned as the stand-in for the traditional gentleman.
Take Today with Barrington Nevitt (1972), p 79
Like any other medium, [money] is a staple, a natural resource. As an outward and visible form of the urge to change and to exchange, it is a corporate image, depending on society for its institutional status.
Understanding Media (1964), MIT/Routledge edition, p 133
"Time is money" and money is the store of other people's time and effort.
Understanding Media (1964), MIT/Routledge edition, p 127
β¦money is a language for translating the work of the farmer into the work of the barber, doctor, engineer or plumber.
Understanding Media (1964) MIT/Routledge, p 127
Conformity to this fashion literally gives currency to a style or fabric, creating a social medium that increases wealth and expression thereby. Does not this stress how money, or any medium whatever, is constituted and made efficacious?
Understanding Media (1964), MIT/Routledge edition, p 135
β¦.one obvious cause of inflation is the media-made consciousness of it. Everybody feels impelled either to grab some advantage or to take defensive action by direct intervention at the practical level.
βMedia and the Inflation CROWD,β NY Times, 1973, in MM The Man and His Message, p 60
The mere interrelating of people by selected information is now the principal source of wealth in the electric age. In the preceding mechanical age, work had not been like that at all. Work had meant the processing of various materials by assembly-line fragmentation of operations and hierarchically delegated authority. Electric power circuits, in relation to the same processing, eliminate both the assembly line and the delegated authority. Especially with the computer, the work effort is applied at the "programming " level , and such effort is one of information and knowledge. In the decision-making and "make happen" aspect of the work operation, the telephone and other such speed-ups of information have ended the divisions of delegated authority in favor of the "authority of knowledge." It is as if a symphony composer, instead of sending his manuscript to the printer and thence to the conductor and to the individual members of the orchestra, were to compose directly on an electronic instrument that would render each note or theme as if on the appropriate instrument.
Understanding Media (1964), MIT/Routledge edition, pp 263-264
Money was never devised for electric speeds of transactions.... [and] cannot persist indefinitely as a monolithic, uniform system of quantified data...
Guaranteed Income--, 1968., pp 79-80
Currency is a way of letting go of the immediate staples and commodities that at first serve as money, in order to extend trading to the whole social complex.
Understanding Media (1964), MIT/Routledge edition, p 132
Money, which had been for many centuries the principal transmitter and exchanger of information, is now having its function increasingly transferred to science and automation.
Understanding Media (1964), MIT/Routledge edition, p 142
The instantaneous creates an interplay among time and space and human occupations, for which the older forms of currency exchange become increasingly inadequate.
Understanding Media (1964), MIT/Routledge edition, p 138
Money, like writing, has the power to specialize and to rechannel human energies and to separate functions, just as it translates and reduces one kind of work into another.
Understanding Media (1964), MIT/Routledge edition, p 136
Since all media are extensions of ourselves, or translations of some part of us into various materials, any study of one medium helps us to understand all others. Money is no exception.
Understanding Media (1964), MIT/Routledge edition, p 139
The role of money is enormously increased after money begins to foster specialism and separation of social functions. Money becomes, in effect, the principal means of interrelating the ever more specialist activities of literate society.
Understanding Media (1964), MIT/Routledge edition, p 138
Prose is private drama / Poetry is corporate drama.
One-page sheet of one-liners given to Gerald Feigen (n.d.)
[Money is a corporate image, depending on society for its institutional status.
Understanding Media (1964), MIT/Routledge edition, p 125
[T]he market... has become increasinely diaphanous as information and credit replace specie and bullion.
βYestertomorrow of the Bookβ (1972), p 16
If the GNP has become an obsolete tool, it is another way of saying that it has just begun to penetrate the entire system. It has become the national icon.
Take Today with Barrington Nevitt (1972), p 234
What disqualifies war from being a true game is probably what also disqualifies the stock market and business -- the rules are not fully known nor accepted by all the players.
Understanding Media (1964), MIT/Routledge edition, p 240
The market serves as feedback, but also as translator and concealer of the effects of the business.
βLOG for Chantacler,β undated typescript (pre-1960), p 1
Whereas the labour market offered the private services of individuals to corporate enterprises, the stock exchanges offered corporate services of public enterprises to private individuals.
βInflation Crowdβ (1973), typescript, p I0
When a thing is current it creates currencyβ¨
Understanding Media (1964), MIT/Routledge edition, p 154
Money is a poor man's credit card.
Understanding Media (1964), MIT/Routledge edition, p 131
Money, as a social means of extending and amplifying work and skill in an easily accessible and portable form, lost much of its magical power with the coming of representative money, or paper money.
Understanding Media (1964), MIT/Routledge edition, p 134
Money, like language a store of work and experience, acts also as translator and transmitter.
Understanding Media (1964), MIT/Routledge edition, p 134
The nature of people demands that most of them be engaged in the most frivolous possible activitiesβlike making money.
βAn Informal Interview with Marshall McLuhanβ, in Miss Chatelain (1974), page number not indicated in the LAC copy
Even today, money is a language for translating the work of the farmer into the work of the barber, doctor, engineer, or plumber. As a vast social metaphor, bridge or translator, money β like writing β speeds up exchange and tightens the bonds of interdependence in any communityβ¦ In a highly literate, fragmented society, βTime is moneyβ, and money is the store of other peopleβs time and effort.
Understanding Media (1964), MIT/Routledge edition, p 136