With the telegraph and after we enter the world of interdependence and inter-action, in which no medium has its meaning alone and no product or advertisement has its meaning or use by itself.
American Marketing Association speech, 1961, published transcript, p 7
It was the telephone, paradoxically, that sped the commercial adoption of the typewriter. The phrase βsend me a memo on that,β repeated into millions of phones daily, helped to create the huge expansion of the typist function.
Understanding Media (1964), MIT/Routledge edition. p 262
Pyramids of paperwork rise on the basis of a small telephone network inside a single business. Like the typewriter, the telephone fuses functions, enabling the call-girl, for example, to be her own procurer and madam.
Understanding Media, 1964, MIT/Routledge edition, p 263
βThe typewriter, with regard to the poet or novelist, comes very close to the promise of electronic music, insofar as it compresses or unifies the various jobs of poetic composition and publication.
Understanding Media, 1964, MIT/Routledge edition, p 264
Seated at the typewriter , the poet, much in the manner of the jazz musician, has the experience of performance as composition.
Understanding Media, 1964, MIT/Routledge edition, p 260
The telephone and related electrical instruments have rendered the familiar organization patterns as obsolete as the assembly line.
βPopular / Mass Culture,β 1960 speech, in Understanding Me (2003), p 18
The same principle obtains on the telephone as compared with radio. The auditory image of the telephone is of low definition. It elicits maximal attention and cannot be used as background. All the senses rally to strengthen the weak sound of the phone.
The Role of New Media in Social Change, 1964, in McL: Man and His Message, 1989, p 34
Were we to teach our math and physics by telephone, even a highly literate and abstract Westerner could eventually compete with the European physicists.
Understanding Media (1964) MIT/Routledge edition, p 267
The word "telephone" came into existence in 1840, before Alexander Graham Bell was born. It was used to describe a device made to convey musical notes through wooden rods.
Understanding Media (1964) MIT/Routledge edition, p 269
Since the telephone has become a normal feature of our environment, the old red light distinct has disappeared. Centralism has given way to decentralized operation, as in management, and with the same consequences for the personnel involved. That is to say, the call girl must be, if not cultured, at least at home in a variety of social roles.
βEffects of Improvements ofββ (1960), p 568
The English dislike the telephone so much that they substitute numerous mail deliveries for it. The Russians use the telephone for a status symbol, like the alarm clock worn by tribal chiefs as an article of attire in Africa.
Understanding Media (1964), MIT/Routledge edition, p 214
βRealβ is an idea borrowed from the visual world. The word βphonyβ β which means βunrealβ in English slang β originally meant βas unreal as a telephone conversation.β In the 1920 dictionary, thatβs what βphonyβ meant.
βI Never Studyββ (1978)
On the telephone only the authority of knowledge will work.
βVideo: the World Becomes a Villageβ (1965)
If I miss you on the telephone, my theme is this: The peculiar attitudes of wild animals to enclosed spaces, i.e., their power to identify with the space as if it were an extension of themselves in the style of βclothing.β This seems to apply even to their keepers. It was a form of behavior that is reported by Frankel of the Jews in the death camps. Why will caged lions refuse to leave these spaces when the gates are left open? Jack Paar tells me that he could not even induce them to leave by putting food outside the cage.
Letter to Edward T. Hall, June 23, 1969 [not in Letters]
The best medium for teaching language is the telephone. People donβt know that. Because on the telephone you have to give your total attention. Otherwise, you get nothing.
βA Conversation with Marshall McLuhanβ (1977), p 60
The absence of image on the telephone is a great big positive potential of that medium which has never been tapped.
Recorded Talk with Eric Goldman, Princeton University, 1966, transcript: 19:30
Why does a phone ringing on the stage create instant tension? Why is that tension so very much less for an unanswered phone in a movie scene? The answer to all these questions is that the phone is a participant form that demands a partner, with all the intensity of electric polarity.
Understanding Media (1964), MIT/Routledge edition, p 268
The American newspaperman in large degree assembles his stories and processes his data by telephone because of the speed and immediacy of the oral process. OIur popular press is a new approximation to the grapevine.
Understanding Media (1964), MIT/Routledge edition, p 214
[A tetrad] Take the telephone. It enhances the speed of the human voice; it causes the body as hardware to become obsolescent, retrieves telepathy (ESP, mysticism, the occult) and at last flips into the group voice or omni presence,,, you know, the conference call.
Bruce Powers Interview (1979); unpublished transcript, p 15
The child and the teenager understand the telephone, embracing the cord and the ear-mike as if they were beloved pets.
Understanding Media (1964), MIT/Routledge edition, p 266
The auditory image of the telephone is of low definition. It elicits maximum attention and cannot be used as background. All the senses rally to strengthen the weak sound of the phone. We even feel the need to be kinetically involved via doodling or pacing. And whereas we complete the strong auditory image of radio by visualizing, we only slightly visualize on the phone.
βThe Role of the New Mediaββ (1964), p 4
Radio, in contrast to the telephone permits the listener to fill in a good deal of visual imagery. The radio-announcer or disc jockey stands out loud and clear, while the voice on the telephone resonates in isolation from the visual sense. Nobody ever wrote a lament about: βAll alone by the radioβ but βAll alone by the telephoneβ is a classic of the twenties that is a resounding prophecy of high-rise living in the present time.
βPutting on the Mediaβ (1971), p 2
β¦psychiatristsβ¦report that neurotic children lose all neurotic symptoms when telephoningβ¦
UM MIT/ROUTLEDGE, p 273
What we call βthe French phone,β the union of mouthpiece and earphone in a single instrument, is a significant indication of the French liaison of the senses that English-speaking people keep firmly separate.
Understanding Media (1964), MIT/Routledge edition, p 266
The very nature of the telephone, as all electric media, is to compress and unify that which had previously been divided and specialized. Only the βauthority of knowledgeβ works by telephone because of the speed that creates a total an inclusive field of relations.
Understanding Media (1964), MIT/Routledge edition, p 277