β¦military action is itself a form of education.
βThe Marfleet Lecturesβ , March 16-17 1967, reprinted in Understanding Me (2003), p 132
Information as such has become the new sinews of war.
Take Today with Barrington Nevitt (1972), p 150
All technological changes result in war.
Culture Is Our Business, (1970), p 140
The coverage is the war. If there were no coverageβ¦ and there are far more people covering the war than there are fightingβ¦ thereβd be no war. Yes, the newsmen and the mediamen around the world are actually the fighters, not the soldiers anymore. There is a flip. There is a reverse.
Jean Pare Forces interview, 1973, original typescript
But, in a world in which the whole environment is made of information, it is natural that war should be conducted by the same means. The informational image has become increasingly top weaponry. We call it the cool war, and the means totally involving.
βInformation Hunt Looms Bigβ College and University Journal, Vol 6, No. 2, Spring, 1967, p 6
Since the electronic age is total and inclusive, atomic warfare in the "global village" cannot be limited. As new technological man races toward this totality and inclusiveness, he will no longer, as in earlier times, have an experience of nature, as "nature-in-the-wild.β.
The Global Village with Bruce Powers (1989), p 95
I've often argued the paradox that it is the coverage of wars that intensify the warfare condition, because once you put information around the events of any battlefront, it steps up the activity of that battlefront enormously, by creating great audience participation.
Fletcher Markle, TV Interview, βMcLuhan Is the Messageβ (1967), transcript 15:02
World War I a railway war of centralization and encirclement. World War II a radio war of decentralization concluded by the Bomb. World War III a TV guerrilla war with no divisions between civil and military fronts.
Take Today with Barrington Nevitt (1972), p 152
War has become a useless concept, an effete category that confuses all our thinking about the new situation.
Take Today with Barrington Nevitt (1972), p 156
We have now entered our first TV war. It has none of the features of the Second World War, which was a radio war. Already our TV war has abolished the boundaries between military and civilian life, just as our electronic information environment has abolished all the boundaries between the subjects of the curriculum.
Dedication for Magnovia II, February, 1968
If the Vietnam War were not reported in the press, any press, what do you think would happen? β¦ how much of the war actually consists in being processed through such media?
Goldman TV interview (1966), transcript p 29
IF the Vietnam War were not reported in the press, any press, what d you think would happen?...how much of the ear actually consists in being processed through such media?β
βKansas City Show.β By Ivan Goldman, in Sunday Magazine, January 4, 1970, p 29
It takes emotion to move merchandise. And wars and rumors of wars are the merchandise and also the motion of the popular press.
The Mechanical Bride (1951), p 7
In Catch-22, the figure of the black market and the ground of war merge into a monster presided over by the syndicate. When war and market merge, all money transactions begin to drip blood.
Take Today with Barrington Nevitt (1972), p 211
War, in fact, can be seen as a process of achieving equilibrium among unequal technologies, a fact that explains Toynbee's puzzled observation that each invention of a new weapon is a disaster for society, and that militarism is the most common cause in the breaking of civilizations.
Understanding Media (1964), MIT/Routledge edition, p 344
If there were not coverage of any sort of any war, no reports, no information, how would this change the nature of war?β
βInformation Hunt Looms Bigβ College and University Journal, Vol. 6, No. 2, Spring, 1967, p 5
Two wars cannot be fought in the world anymore at one time because the journalists would only cover one.
De Kerkhove interview with Tom Wolfe, n.d.
On the other hand, the old-fashioned kind of "war" becomes as impracticable as playing hopscotch with bulldozers.
Understanding Media, (1964), MIT/Routledge edition, p 353