A dictionary of Marshall McLuhan’s quotations

Compiled by William Kuhns
©2026 Marshall McLuhan Estate
🔍 Search Within Selection

Found 11 quotes (8 duplicates hidden).
Today, for example, the entire Watergate affair is intimately linked with the world of the microphone and the recording, creating a great new acoustic dimension in politics which is in direct conflict with the press, the Constitution, and the printed word.
“Liturgy and the Microphone”, (1974), p 16
Year: 1974
A work of art has no existence or function apart from its effects on human observers. And art, like games or popular arts, and like media of communication, has the power to impose its own assumptions by setting the human community into new relationships and postures.
Understanding Media (1964), MIT/Routledge edition, p 242
Year: 1964
Chapter: Effect
The principle of new technologies as an archetypal environment that moulds new art forms out of the antecedent technologies is a principle that applies to all the arts and sciences, to architecture, as much as to music, or mathematics.
“The New Media and the Arts” (1964), p 242
Year: 1964
↪ Also at #454, #3589, #4599
I have ordered Self-Condemned from Peter Russell and look forward to it very much. Toronto has been alerted and has begun to tremble.
Letter to Wyndham Lewis, February 7, 1954, in Letters of Marshall McLuhan (1987), p 242
Year: 1954
Chapter: Lewis, Wyndham
It can be enunciated as a principle that all new media or technologies, whatever, create new environments, psychic and social, that assume as their natural content the earlier technologies. Moreover, the content of these new environments undergoes a progressive reshaping so that what had appeared earlier as dishevelled and degraded becomes conventionalized into an artistic genre. TV, as the latest archetypal environment or technology, is very much in this dishevelled phase.
“The New Media and the Arts” (1964), p 242
Year: 1964
It is the [hidden] environment that changes people, not the technology.
“Living at the speed of light” (1974), reprinted in Understanding Me, p 242
Year: 1974
↪ Also at #2071, #2216, #4214
Radio and TV enormously increased the consciousness of the auditory space, and spurred an involvement that extended to the revival of ancient religions among several of the Indian nations of this continent.
Culture Is Our Business, (1970), p 242
Year: 1970
Chapter: Retribalizing
The Baroque painters did exactly as did Montaigne in shifting attention to the peripheries of vision.
The Gutenberg Galaxy, 1962, p 242
Year: 1962
Chapter: Senses
The TV camera has no shutter. It does not deal with aspects or facets of objects in high resolution. It is a means of direct pick-up by the electrical groping over surfaces.
“The New Media and the Arts” (1964), p 242
Year: 1964
Chapters: Senses | Television
↪ Also at #6764
Any game, like any medium of information, is an extension of the individual or the group. Its effect on the group or individual is a reconfiguring of the parts of the group or individual that are not so extended.
Understanding Media (1964), MIT/Routledge edition, p 242
Year: 1964
↪ Also at #3275
PLAYBOY: Isn't the thrust of your argument, then, that the introduction of the phonetic alphabet was not progress, as has generally been assumed, but a psychic and social disaster?
McLUHAN: It was both. I try to avoid value judgments in these areas, but there is much evidence to suggest that man may have paid too dear a price for his new environment of specialist technology and values. Schizophrenia and alienation may be the inevitable consequences of phonetic literacy.
Playboy Interview: Marshall McLuhan: A Candid Conversation with the High Priest of Popcult and Metaphysician of Media”. By Eric Norden. Playboy Magazine, March (1969), p 59-60, reprinted in Essential McLuhan (1995),p 242
Year: 1969
Chapter: Typewriter