TV will become an art form just as movie has done since TV. But in order to have autonomy we must push the unconscious and environmental parameters right up into consciousness.
“Letter to Harry J. Skornia, October 3, 1964 in Letters of Marshall McLuhan (1987), p 311
Perhaps the terrifying thing about the new media for most of us is their inevitable evocation of irrational response. The irrational has become the major dimension of experience in our world.
“Culture without Literacy”, in Explorations #1, December (1953), p 126 reprinted in Essential McLuhan, (1995), p 311, additional reprint in Media Research Technology, Art and Communication (1997), p 136, and McLuhan Unbound #6, (2017)
That situation...always adds up to the need to discover means for translating the experience of one medium or one culture into another, of translating Confucius into Western terms and Kant into Eastern terms. Of seeing our old literary culture in the new plastic terms in order to enable it to become a constitutive part of the new culture created by the orchestral voices and gestures of new media. Of seeing that modern physics and painting and poetry speak a common language and of acquiring that language at once in order that our world may possess consciously the coherence that it really has in latency, and which for lack of our recognition has created not new orchestral harmonies but mere noise.
“Culture without Literacy”, in Explorations #1, December (1953), p 126 reprinted in Essential McLuhan, (1995), p 311, additional reprint in Media Research Technology, Art and Communication (1997), p 136, and McLuhan Unbound #6, (2017)
The irrational has become the major dimension of experience in our world.
“Culture without Literacy”, in Explorations #1, December (1953), p 126 reprinted in Essential McLuhan, (1995), p 311, additional reprint in Media Research Technology, Art and Communication (1997), p 136, and McLuhan Unbound #6, (2003)
Radio will serve as background-sound or as noise-level control, as when the ingenious teenager employs it as a means of privacy.
Understanding Media 1964, MIT/Routledge edition, pp 311-312