Unlike Vico and Joyce but like Freud, Blake mistook a psychology for metaphysics and theology. His rigorous monism had no place for “the many” save as modes of primal, divine energy. The created world is a part of fallen god-head and is essentially evil. Existence and corruption are the same. This makes for simplicity, intensity and inclusiveness of outlook, but it may not have been of as much use to Blake the poet as he himself supposed. It made Blake an encyclopedic allegorist but it also led him to attach a final rather than a provisionary value to his allegorical imagery.
“Inside Blake and Hollywood”, in Sewanee Review, Vol.55, No.4, October, (1947), p 710, reprinted in McLuhan Unbound (2003),
Year: 1947
Chapter:
Blake, William
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan