What century is it today in Peking or Jerusalem or Moscow? Yet the very speed of communication between these entities so discontinuous in space, time, and experience makes for a simultaneity in which lineal history is abolished by becoming present. Coleridge, a myriad-minded man living in a most tumultuous age, might not have enjoyed our time more than his own, but he was forced to invent a great deal of conceptual equipment which is indispensable to an intellect of today.
“Coleridge as Artist” (1957), in The Interior Landscape (1969), p 116
Year: 1957
Chapter:
Cliché and Archetype
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan