Coleridge pointed out that the poetry of his own day was tending towards the flat landscape of the Chinese painters. Let us keep in mind that pictographic and ideogrammic cultures appear, unlike alphabetic ones, to be able to retain the acoustic speech pitches of pre-literate man. And acoustic cultures seem to be easily and naturally at home in inner space.
“Space, Time and Poetry”, in Explorations 4 (1955), p 62, (2016) reprinted in McLuhan Unbound, #13, (2017), p 14
Year: 1955
Chapter:
Coleridge
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan