The later Innis inevitably adopted a discontinuous style, an aphoristic, mental-camera sort of procedure which was indispensable to his needs… The linear development of paragraph perspectives is abandoned almost entirely in favor of the rapid montage of single shots. He juxtaposed one condensed observation with another, mounts one insight on another in quick succession to create a sense of the multiple relationships in process of undergoing rapid development from the impact of specific technological changes.