Chaplin chose only a small group of items: the costume of the middle-class nobody, the hidden gestures of the music-hall entertainer, the romantic outlook of Cyrano, the unlovable lover, and the foot positions of classical ballet.
From Cliché to Archetype with Wilfred Watson (1970), p 203
Year: 1970
Chapters:
Body Language | Movies
↪ Also at #660
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan