The Negro created a music based on language (– New Orleans for “to yatter” that was totally involving of all the senses. We still talk ineptly aout “Negro integration,” ignoring the fact that the title Negro integrated all the countries of the world in the 1920’s. The integration still holds.
“Pound, Playboy of—” (1967), p 6 [or possibly p 8: check]
Year: 1967
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan