While environments as such have a strange power to elude perception, the preceding ones acquire an almost nostalgic fascination when surrounded by the new. This is nowhere more evident than in the art of photography to invest all human artifacts with the quality of art. This is not mere power of reproduction but a making-new.
Contribution, To Everything There Is a Season (1967), p 312
Year: 1967
Chapters:
Extension Theory | Photography
↪ Also at #2225
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan