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[Le Corbusier] sees Manhattan as “hot jazz in stone,” offering a focus of attention like that which the Negroes have fixed in a music that is “the equivalent of a beautiful turbine running in the midst of human conversations.”
“The man of great wealth in the new information world is a puppet employee of his own wealth.”
“The irrational has become the major dimension of experience in our world.”
“Jazz is a survival strategy for people harassed by cacophony.”
“In the land of the blind the one eyed man is a hunted criminal.”
“For our problems, like our means and opportunities, are of a scope beyond those of any previous age.”
“Conversation is, for me, something like Jonathan Livingston Seagull, a game in which you play all sorts of nose-dives and air-tumbles.”
The nobody in real life is a person who becomes quite intractable [in demanding] "Who am I" and "How do I re-establish my image, myself in this world."
“And as our senses have gone outside us, Big Brother goes inside.”