Yet we are now surrounded by a new environment, of integrated tasks, integrated knowledge, and that demands pattern recognition. The kind of contrast between those two situations creates an absurdity that has launched the theatre of the absurd. The theatre of the absurd itself is postulated on this kind of dichotomy between these two cultures that never seem to get any closer together.
“The Invisible Environment: The Future of an Erosion”, Perspecta, Vol.11, (1967), p 164, reprinted in On the Nature of Media, (2016), p 112
Year: 1967
Chapters:
Pattern Recognition | Today’s Transition
↪ Also at #5310
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan