A dictionary of Marshall McLuhan’s quotations

Compiled by William Kuhns
©2026 Marshall McLuhan Estate

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In the Eighties, as private identity dissolves further (and with it, detachment), the narcissistic involvement of everybody in everybody else’s image increases, and spectatorship will end. Nothing representational will remain to sport, as happened to painting with cubism, as “spectators,” players and “home audience” merge.
“Living at the Speed of Light” (1979), typescript, p 20
Quote #6576
Year: 1979
Chapter: Sports and Games

Drawn to McLuhan #10

Black-and-white illustrated diptych with a bold headline banner, featuring pen-and-ink style portraits of two men (labeled George Meredith and James Joyce) each with a speech bubble of quoted text and a caption giving their names, nationalities, and life dates.
Photorealistic image of a grand library hall with a sign reading "Robo-losophers," lined with curtained booths labeled with names of philosophers (Socrates, Plato, Aristotle, Confucius, etc.), each containing a robotic/statue figure, while students converse in the aisle.
“The means that are destroying our tradition, our culture, and values, could be used to preserve and sustain them.”
Color illustration of an oversized, glowing television set surrounded by a dense field of empty speech bubbles and broken eggshells, with small crowds of people gathered below on either side.
“The advent of TV may carry us beyond speech altogether.”
Color cartoon illustration of a pilot and a woman eating at an airport café table, the woman saying in a speech bubble that the pilot “said to the pilot, ‘Knock knock’…”, with an airliner and ground crew visible through the window.
“Our time has discovered that there is a language of Forms and Gestures – a language which has its own grammar and syntax.”
Color cartoon illustration of scientists in lab coats dancing amid laboratory equipment, one exclaiming in a speech bubble about subatomic particles, in a particle physics lab set.
“Science and magic have married each other.”
Photorealistic image of an older man laughing heartily at the head of a seminar table, surrounded by smiling students, in front of a blackboard in a book-lined classroom.
“I want a career where I get to laugh a lot.”
Color illustration of an older, bespectacled man in a tweed jacket seated at a cluttered writing desk in a book-lined study, scratching his head while writing, with a copy of "Understanding Media" stacked nearby.
“I don’t pretend to understand my stuff. After all, my writing is very difficult.”
Color illustration of dejected, unemployed-looking people sitting on a city sidewalk holding cardboard signs ("MBA Was Useless," "College Degree $0 Return"), while a line of business-suited robots carrying briefcases walks past in the background.
“How much more Know-How is needed to make human life obsolete?”
Color illustration of a bespectacled man in a suit with three overlapping, motion-blurred heads (as if spinning), pointing toward a spinning desk globe encircled by ribbons labeled "Global Village" and "Medium Is the Message."
“Globes make my head spin. By the time I’ve located the place, they’ve changed the boundaries.”
Photo composite of two "hear no evil, see no evil" style classical marble busts (Plato covering his ears, Aristotle covering his eyes) beside a sepia-toned portrait photograph of an older man in a suit resting his chin on his hand, with a speech bubble of quoted text above them and name captions below.
“Why has no one in history — not Plato, certainly not Aristotle, no philosopher, ever regarded our technologies grammatically, asking how they inflect on us?”
© The Estate of Marshall McLuhan