Coleridge represented the movement to reconcile neo-Platonism and Christianity as a means of envisaging social and political institutions sub specie aeternitatis, as opposed to the utilitarian functionalists and mechanists for whom the entire fabric of society was unpenetrated by the divine.
“Coleridge as Artist” (1957), in The Interior Landscape, (1969), p 121
Year: 1957
Chapter:
McLuhan on McLuhan
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan