That is the paradox of Blake – that he so largely became the image of the thing he hated and fought, namely Lockean rationalism and abstraction.
““Inside Blake and Hollywood”, in Sewanee Review, Vol.55, No.4 ,October, (1947), p 712; reprinted in McLuhan Unbound (2003),
Year: 1947
Chapter:
Blake, William
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan