The analogical relation between exterior posture and gesture and the interior movements and dispositions of the mind is the irreducible basis of drama. In the Wake this appears everywhere.
“James Joyce: Trivial and Quadrivial” Thought: Fordham University Quarterly, Vol. 28, No 1, (1953), in The Interior Landscape (1969), p 33
Year: 1953
Chapters:
Body Language | Joyce, James
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan