The dichotomy between linear and radial expression is not really as radical as might appear, but it has in such terms as "continuous": versus "discontinuous" or "statement" versus "suggestion" divided the allegiance of poets, critics, and readers from the time of Coleridge to the present. It certainly had much to do with the intellectual divergence between Coleridge and Wordsworth, between Browning and Tennyson, and between Pound and Eliot.
“Coleridge as Artist” (1957), in The Interior Landscape (1969), p 117
Year: 1957
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan