It was in the format of the daily press that Rimbaud and Mallarmé discovered the means of rendering the interplay of all the functions of what Coleridge called the "esemplastic" imagination. * For the popular press offers no single vision, no point of view, but a mosaic of the postures of the collective consciousness, as Mallarmé proclaimed.
The Gutenberg Galaxy: the Making of typographic man (1965), p 267-268. * McLuhan is referring to his article “Joyce, Mallarmé and the Press", in The Sewanee Review, Vol.62, No.1, Jan-March (1954) p 38-55. Reprinted in The Interior Landscape The Literary Criticism of Marshall McLuhan, (1969), p 5-21
Year: 1965
Chapters:
Blake, William | Coleridge | Corporate Consciousness | Imagination | Living Unity | Media Effects
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan