It needs to be understood that only short discontinuous shots of such a work as Joyce's are possible. Linear or continuous perspectives of analogical structures are only the result of radical distortion, and the craving for “simple explanations” is the yearning for univocity.
“James Joyce: Trivial and Quadrivial” Thought: Fordham University Quarterly, Vol. 28, No 1, (1953), in The Interior Landscape (1969), pp 36-37
Year: 1953
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan