Clothing is fragmentary. It’s a way of stepping up to high intensity any aspect only of sex. Any aspect of dress can be used by the wearer as a weapon. All through Finnegans Wake, clothing is handled as weaponry.
“Love” (1967), p 26
Year: 1967
Chapter:
Clothing and Nakedness
↪ Also at #1129
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan