Clothing is fragmentary. It’s a way of stepping up to high intensity one aspect only of sex. Any aspect of dress can be used by the wearer as a weapon. All through Finnegans Wake, clothing is handled as weaponry.
“Love,” Saturday Night, February, 1967, p 26
Year: 1967
Chapter:
Clothing and Nakedness
↪ Also at #1138
Compiled by William Kuhns
© 2026, The Estate of Marshall McLuhan
© 2026, The Estate of Marshall McLuhan